![]() The song was recorded but then changed for a longer instrumental section, which required re-recording the vocals. It’s a much more laid back piece than either Goldfinger or the Tom Jones Thunderball but the connection with the previous hit was to be provided by Shirley Bassey. Rather than attempt to work the title into the lyrics, John Barry’s first attempt focuses on Sean Connery’s characters. What’s it about?: A man who can soothe you like vanillaĪ journalist’s sarcastic summary of 007’s character was the inspiration for the original attempt for Thunderball‘s title song.Singer: Shirley Bassey (initially), Dionne Warwick (later).Created by: John Barry and Leslie Bricusse.The awkward outcome is a song that appears to be about a guy who is so domineering that everybody calls him thunder balls.Īll kudos to Tom Jones, he puts his all into the delivery without a hint of irony and nearly, nearly makes the thing work. It’s a hymn to the idea of the alpha-male but with the repeated nonsense line of striking like thunder ball, whatever that is (stolen nuclear weapons). Like Goldfinger, Thunderball inspires parody but itself is on the edge of being pastiche. Tom Jones is a logical substitution for Shirley Bassey and he brings a bunch of macho swagger to a song that is almost nothing but macho swagger. What’s it about?: A man whose days of asking are all gone.Who is it about?: Bond probably but maybe Largo. ![]() ![]() ![]() We’ll start at the endpoint and work out from there. The issues with the film are reflected in the opening song, which had the equivalent problem of following the genre-defining sound of Shirley Bassey declaiming “Goldfingerrrrr!”. The template now existed but applying it in a new context proved to be a struggle. The fourth film in the Eon productions series had the tricky problem of following up on the success of Goldfinger. ![]()
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